05.12.2025 Presentazione del volume di Lorenzo Pubblici, La Rus’ di Kiev. Un crocevia tra Europa e Asia nel Medioevo Discutono con l’autore Michele Bernardini, Marcello Garzaniti e Lapo Sestan
Original sewing: two Z-twisted threads (each thread is S-twisted) of animal origin. Additional sewing: multiple Z-twisted threads of linen and two S-twisted threads (each thread is Z-twisted) of cotton
Sewing pattern
Bozzacchi A4; the sewing is inverted, from the back to the front board
Slip case (maḫdär)
–
Quires
6 (4 + 1 initial and 1 final protective quires)
Quire marks
–
Layout
1 column
Number of lines per column
8–9 on ff. 3r–6r; 15 from f. 6v on
Ruling
Blind ruling, from the inside to the outside. Blind pricking, from the inside to the outside. Lines are written above the ruling. The scribe has disregarded the ruling and has generally written more than one line per ruled line
Ruling pattern
Nosnitsin 1
Scribe
Unknown
Colophon
–
Additional notes
Ff. 1v–2r: asmat-prayer written in black ink an untrained hand. Incipit: [.]ጠል፡ አቂቱ፡ ናባል፡ አወል፡ ዙቤላሄል፡ ወደክል፡ በናጫ፡ ንረምድ፡ ክፍጅን፡ ቹን፡. On f. 2r the text reads, in the same hand: በስመ፡ አብ፡ … ጸሎት፡ በዕንተ፡ ግርማ፡ ሞገስ፡ ዘወሀበ ለሙሴ፡ “In the name of the Father … Prayer on the glory of the benevolence, which was granted to Moses”
Decoration
F. 3r: uncoloured ornamental band (ḥaräg) with geometrical motifs on the top of the incipit of text. Executed in a rudimentary way.
F. 34r: rudimentary drawing of Virgin and Child and two archangels, outlined in black and partly coloured in red and yellow
State of preservation of the binding
Discrete
State of preservation of the textblock
Discrete
Individuals mentioned in the MS
The following ecclesiastical authorities are mentioned: ṗaṗas abba Marqos (f. 6r); ṗaṗas abba Sälama (ff. 6r, 7v), in tenure from 1841 to 1868; liqä ṗaṗasat abba Ṗeṭros (f. 7v), in tenure from 1881 to 1917. These time ranges are difficult to reconcile with each other. However, they indicate that the manuscript was produced not earlier than in the mid-19th century
Provenance and history
Unknown provenance.
The manuscript came into possession of the Zanasi-Li Volsi family at an unspecified time in the 20th century